“Life, Itself”
Star Trek: Discovery Season 5, Episode 10 – Debuted Thursday, May 30, 2024
Written by Kyle Jarrow & Michelle Paradise
Directed by Olatunde Osunsanmi
A solid season finale ties things for the season plot and the characters, with a bonus bringing the series to a satisfying conclusion.
RECAP
“Let’s go get what we came for”
We are back at the binary black holes, the portal is out of reach of the Disco, there is no contact with the captain, the Breen dreadnaught is launching a swarm of fighters, and Primarch Tahal is one hour away from escalating things beyond any hope: just the kind of stakes and ticking clocks we expect for a finale. Inside the portal, Michael finds herself looking at a tunnel of seemingly infinite gateway windows she “cannot explain” to her tricorder, for posterity. She picks a bright light in the distance as her destination but when she notices an odd distortion, she is soon pulled through to a windswept desolate world and greeted by an angry Breen, who isn’t in a talking mood. After dispatching him and another Breen back in the tunnel, Moll shows up with some sarcastic praise, a bleeding wound, and a big gun. Michael offers a dermal regenerator as a peace offering. But soon enough they are at odds again, as Moll is willing to work with the Breen to use the tech to bring back L’ak and doesn’t trust the Feds. Michael has seen that dark future and isn’t going to let that happen, so cue the fight music and VFX as the pair punches and kicks their way through shifting gravities and multiple worlds like a TV-budget Christopher Nolan movie. Michael switches tactics, connecting emotionally over loss, giving Moll her personal promise to use the tech to bring back L’ak. (Remember Moll’s pattern buffer? Her heart is literally on her sleeve). Together the reluctant partnership heads off down the yellow brick road Progenitor tech tunnel.
Off to see the wizard?
“I have kind of a crazy idea”
Things are hectic on the Disco as Rayner realizes he can’t get to the portal and fight off the Breen at the same time, so Book volunteers to take a shuttle to grab the portal. Cleveland is given a short ticking clock before the black hole radiation will fry him but Dr. Culber volunteers to join anyway, as he has a weird feeling he is going to be needed. As they head off, Tilly hatches a plan involving a plasma cloud and the power of science. Back at Federation HQ, they need to divert the approaching Breen fleet, so Saru and Nhan volunteer to confront Tahal with an unarmed shuttle because for these Disco vets—and as the great Vin Diesel says—it’s all about family. They catch up with Tahal, who isn’t in the mood to have a nice chat and is curious why the Feds don’t want her finding out what’s going on with Runh’s old dreadnaught. Suru makes his first move, offering Tahal a Federation trade route through the L’Tar Nebula, which would give her an advantage over other Primarchs, but she rejects it. Nhan is nervous but Saru remains calm, even after being given 30 seconds to leave. The offer is rescinded after he calls Tahal a coward, then escalates to telling her he is a predator, she is his prey, and if she doesn’t take his deal, she will never get the Imperium throne. He now knows she already has hidden bases in L’Tar and his friends in the region will attack, diverting her attention and keeping her from winning the Breen faction war. She thinks he is crazy and bluffing but Saru compels her to look into his eyes and ask if she doesn’t see resolve. It works. Nhan is impressed: That’s some cold Kelpien cowboy diplomacy.
Every clue has prepared us for this”
To find their way through the endless tunnel of gateways, Michael starts thinking multidimensionally—like a Progenitor—and finds a new hidden vista, this time with flowers and a promising central dais. This whole place is the tech they have been looking for, and they are reminded of the danger as they pass a makeshift monument to the 24[sup]th[/sup]-century scientist who was killed trying to use it. The control interface is an unmarked scatter of triangles, and as the two debate how the “one between many” clue fits, when Michael can suddenly hear Book’s transmission. The distraction gives Moll a chance to knock the captain out before forming a pyramid on the interface, getting her zapped and pinned as the system wakes up with columns of energy. Outside, the portal draws matter from a black hole, impressive but not helpful to everyone out there. Tilly’s trick of blowing up the Breen fighters with a nearby plasma cloud works, and Book is ordered to grab the portal before the dreadnaught shows up, but he can’t get a tractor lock. Now Culber understands his mysterious drive to be there and relays the exact resonance frequency Book needs for the tractor beam… We’ll sort that out later. Michael wakes and pulls Moll off the pedestal, down but conscious. She works out the triangle puzzle (“one between many” means creating a larger triangle with the negative space, duh). She is rewarded by another transition and greeting from an actual extinct Progenitor, waiting to offer instructions… like Clippy, but with the power of creation. From what she heard from Book, Michael knows the portal is causing all sorts of dire problems, so the first thing is to shut it down. The Progenitor explains it is just powering up to perform its primary function: the creation of life, but it can’t bring back the dead, which is bad news for Moll and L’ak. Michael is concerned the tech can be used to create armies of destruction, but the Progenitor points to the evidence in the tunnel, all those gateways to worlds full of life. She then drops the big head-scratcher, the Progenitors didn’t create this thing, they found it. The Progenitors have progenitors? They are just part of a “cycle of creators and creations countless times over.” It’s progenitors all the way down. Mind Blown GIFs.
Let’s see what happens when I touch this invisible thing.
“It’s the right thing to do”
Tahal may have turned around, but she has sent a cloaked scout to see what’s going on. The Discovery crew can’t let that or the dreadnaught have access to the Progenitor tech, so Rayner has the craziest idea yet: Just remove all the Breen… with the spore drive. This is Discovery, where they do five impossible things before breakfast, so he rallies the crew with a speech to make it happen. Inside the portal, Michael is told she has passed the tests so she is now the “steward” of the tech. During a montage of the raging battle outside Tilly and Stamets zap the Breen away to the galactic barrier thanks to a cool saucer separation manuever. The Progenitor talks about how her race found themselves alone, so they found meaning by creating all the varieties of life throughout the galaxy, and now it’s Michael’s turn to play god. What is most meaningful to you? No pressure. For now, the captain wants the whole thing shut down while she considers her options. The Progenitor says she can wait and gives Burnham a quick data download of a few billion years of the history of life in the galaxy. No big whoop. Michael grabs Moll, lets her know about L’ak (sorry) and they beam to Book’s shuttle. Everyone reunites and hugs (Saru too, of course) but they soon debate the use of the Progenitor tech. Rayner talks of orders and Stamets of science, but Burnham is determined. They already have infinite diversity in infinite combinations, they don’t need the tech, and she’s sure Rillak and Vance will back her up. The portal is placed beyond one of the black holes’ event horizon, but the captain figures whoever made it could always figure out how to get it out if they are still around. Back at HQ, Moll and Book share a moment and her icy attitude thaws a bit; also, it turns out she is being offered a job with Kovich if she wants it. Speaking of that enigma, Kovich tells Michael the Red Directive is over, everything is classified, and that’s that. He tells her he has lived many lives and she is top of the list of aggravations, but he’s still impressed. Thankfully, she doesn’t let this latest mysterious comment go, pressing him to reveal who he really is. He finally introduces himself: “Agent Daniels.” Damn, and I already used up all my mind blown GIFs.
Get ready for even more hugging.
“Last dance”
Cut to weeks later: We find ourselves at a beach destination wedding. Yep, T’Rina and Saru get hitched and seal it with a kiss. Aww. Everyone is there having a good time. Suru sums up the season with Michael as he looks at the gathering of diverse friends and well wishers, nothing it would make the Progenitors proud to see how “we are all in the most fundamental ways, connected.” After hearing how Tilly has a mentorship plan tailor-made for a spinoff series about Starfleet Academy, Michael finds Book and the two dip out to have a chat on the beach. He has been busy and now he is a free man, full of hope again. Both are looking to the future and agree that future should be together. “You, me, and Grudge.” More aww, more kissing, but they are interrupted: It’s a call from Kovich. Another mission. And the season ends with just the right note. “What are we waiting for? Let’s see what the future holds.” Fade to black… but wait, there’s more.
Marriage is logical.
Cut to an isolated cabin on Sanctuary Four (where Book planted that Kwejian world root, BTW). It’s Michael and Book, many years later, with gray hairs and fun banter over bad coffee. There is talk about it being a big day before a shuttle arrives, piloted by their son! He’s a Starfleet captain! She’s an admiral! New uniforms! They are not messing around. Mother and son head off, mentioning Tilly is still at the Academy, and she gives some advice for his first big speech in command. She reflects on her (classified) mission, talking of the question about what is most meaningful. Her answer, “Sometimes life, itself (title alert!) is meaning enough.” Channeling her own inner Diesel, she talks of their family, her Discovery family, and how her son will find family with his new crew. He drops her off at the USS Discovery in space dock, which is getting the -A removed from its registry as the ship is being reset to its original 23rd century design and parameters for its “final mission.” On board, the admiral greets Zora and informs the AI she will take the ship into deep space and then leave her, to await something to do with “Craft.” Reflecting on how it’s been “a hell of a journey,” Michael sits in the captain’s chair and all the feels come back to her. We see her younger self on the bridge and she’s with her Disco family. Everyone is there, even Detmer, Owo, and Bryce. There is a lot of hugging and chatter and laughing and joy as we fade back to older Burnham coming out of the moment. The OG Discovery exits spacedock and all the ships and shuttles at HQ are lined up as an honor guard. Nice. For one last time, she orders “Let’s fly” as the classic music swells and we fade to black for the final curtain. Goodbye, Star Trek: Discovery. I really will miss you.
Zora, if you are so smart, how come you didn’t predict we would get canceled?
ANALYSIS
All good things…
This was a solid season finale that nicely tied up plot and character stories amidst fast-paced action and philosophical questions—with a few answers. Packing so much in did perhaps bloat the episode, which got even heftier when the epilogue (shot later, after the series wasn’t renewed) was tacked on. But the themes of the season were woven throughout, which in true Disco style were made clear with all the talk of connection, diversity, and family. From the beginning, this show has always been about Michael Burnham, and her hero’s journey was certainly on full display here as she was deemed worthy to hold the power of the gods, with Sonequa Martin-Green delivering a fantastic performance covering the required range needed for all the plot, romance, and action. The rest of the ensemble had hero moments throughout too, notably Doug Jones’ Saru, who ended the season strong showing just how formidable he is, without having to fire a shot (or quill). Everyone was smart, clearly worthy of their positions, and the show doesn’t need to make the baddies dumb to keep the plot moving. Even the USS Discovery itself got a hero moment, one of the many spectacular visual effects moments they saved up for with the finale. Director and EP Olatunde Osunsanmi really understands this show and these characters and knows how to pace things so that extra time did fly, although he is definitely over-enamored with the spinning camera rig.
Inside all that action were big and little moments of character to pay off elements that had built up through the season. A great example of this was Rayner, a new character introduced in conflict with Burnham at the start of the season, and who we learned later is haunted by his past with the Breen. For the finale, he spots his own errors and pivots, he has the trust of the crew, and he even has a tiny bit of mercy for the Breen. Callum Keith Rennie was one of the standouts of the season and its sad that we won’t get to see where the character would have gone had there been another season. Wilson Cruz’s Culber also had a nice bit of closure here, as the doctor’s spiritual journey brought him onto the (almost suicide) mission with Book, where he took that leap of faith and learned to embrace the mystery of how “Jinaal” has changed him. Sadly, the same can’t be said of his husband Stamets, who got the short end of the stick this episode (and all season) with Anthony Rapp mostly relegated to technobabble and subbing in as chief engineer in the weeks Tig Notaro couldn’t make it to Toronto. Stamets has looked for meaning after the spore drive and that journey will continue now that the Progenitor tech has been taken away. Mary Wiseman’s Tilly had fun moments this episode but her backstory about struggles at the Academy and her solution (a mentorship program) seems more about setting her up for the new show than servicing the character.
Did anyone see my dead husband? I seem to have lost him.
Meeting the makers
For the finale, the big bad Breen mostly took a back seat. We never got a glimpse into what was happening on the dreadnought with Moll gone. We got some FaceTime chat with Tahal, who was just as one-dimensional as Ruhn, but the various Breen ships did pose enough of a credible threat for there to be high stakes for our heroes. In the end, it was Moll who was the main adversary for the episode, as she stuck with her single-minded determination, resulting in probably too many fight scenes inside the Progenitor portal. Also, why did she fight the Breen who were supposedly working for her? The adversaries Moll and L’ak were certainly stronger than previous villains for the show, but the last few episodes didn’t really pay off some of the promise of earlier ones. Maybe her redemption was planned to come later as an agent for Kovich. Speaking of that enigmatic character, it was quite satisfying to finally address his backstory, and tying it into the Star Trek: Enterprise character of Daniels was clever and makes a lot of sense.
The biggest reveals for this episode were tying things up with the Progenitors as this season picked up the thread left by the Star Trek: The Next Generation episode “The Chase” and really ran with it. The scenes with Burnham and the Progenitor (ably played by Somkele Iyamah-Idhalma) were strong, turning their mission of seeding the galaxy into Star Trek’s recurring theme of infinite diversity, as laid out nicely by Saru at the wedding (in case you missed it). The one thing that didn’t land was the “one between many” triangle thing, which turned out to be a basic IQ test and not something tied into the rest of the clues, tests, and cultural understandings Burnham has passed throughout the season. Of course, Burnham was the one who was deemed worthy to become the steward, but it also fit with the character that she had the humility to reject the power and hide it away as the galaxy already had plenty of life and it was too dangerous to leave lying around. The twist that the Progenitors were only the latest in a line older than the universe itself is a very big idea straight out of classic sci-fi, and even scripture. It’s a nice touch to add a bit more mystery to all of it.
Sometimes even in Star Trek, dead is dead.
Sometimes it’s okay to cry
As for fans of romance, you got a twofer with Michael and Book getting back together and Saru and T’Rina getting married. A wedding in a finale is a bit cliché, but it was nice and used well to wrap things up. The final moment on the beach with Michael and Book was sweet and did a decent job of hinting at more to come, and it could even have made for a reasonable series finale, with an optimistic and hopeful Star Trek look to the future and the next mission, together.
But then the producers were given the chance to shoot an epilogue to wrap up the series after they found out this season would be their last. This brings us to the extra bits that start at the cabin with older Book and Michael. Wrapping things up with this kind of leap forward into the future was a bit trite, but they didn’t have a lot of time to pull it together and what they did was pretty impressive, albeit with the focus on Michael Burnham. It was still well-earned and satisfying to see her happy ending as an admiral, shepherding her son to be the next generation of Starfleet. They didn’t have to, but continuity-lovers will appreciate how they used this coda to really tie a bow onto connecting the series to the Short Treks episode “Calypso,” right down to explaining away how the ship in that future didn’t have the 32[sup]nd[/sup]-century refit. The conversation with Michael and Zora was very sweet, all part of the right tone for this coda. Things got even more on brand for Michael’s memory sequence, bringing in the rest of the cast—her Discovery family. Only Saru (barely) got an audible line, which may disappoint fans who want to know what’s up with the other characters, but the emotion of it all was there and this leaves plenty of opportunities for those characters later if they show up on the Academy series. All in all, it was very Discovery, and what more could you want to tie things up?
Did no one think to bring drinks for this party? Reno?
Final thoughts
This season had big ideas and “Life, Itself” answered the right questions and posed some more, which is a good thing. This is the best finale for the best season of Discovery, and sadly it will be their last. The show really hit its stride in season 5, delivering on the promise of a new adventurous tone while still servicing the characters and their many emotions.
Where have you been?
BITS
- At 1:25:35, the finale has the longest runtime of any episode of Discovery—or any single episode of Star Trek, not counting 2-part episodes.
- The epilogue added 15:40 to the runtime.
- Michael uses her Vulcan meditation technique to clear her head to solve the puzzle.
- The L’Tar Nebula sounds like the Lantar Nebula mentioned by Vash in “Q-Less,” but probably something different.
- After getting mentioned a lot over the last couple of seasons, we saw the Pathway Drive in action on Saru’s shuttle when it caught up to Tahal’s fleet.
- A possible continuity error: The first shot of the triangle test shows 10 triangles, but both Michael and Moll used only 9 for their different solutions, with no extra triangle.
- After Culber revealed the subspace frequency he said, “I’m a doctor, not a physicist,” classic Star Trek.
- The EV suit computer voice Julianne Grossman, who did the computer voice for the USS Discovery for the first 3 seasons before Zora (Annabelle Wallis) became the ship’s voice.
- When Kovich tells Michael that everything from the season will be classified, she says she was “familiar with how those things work now,” possibly referencing how the USS Discovery and spore drive were classified at the end of season 2; however, she was not present for that, as she had already jumped to the future.
- Reacting to Saru’s gambit with Tahal, Nhan said she didn’t want to play him in Ferengi Rummy.
- Book was late to the wedding because he ran into some Talaxian pirates.
- It’s not mentioned in dialogue, but Burnham and Book’s son’s name is Leto. He’s played by Sawandi Wilson.
- The registry on Leto Burnham’s shuttle was UFP 47.
- Michael talked to Leto about recently visiting Crepuscula.
- Molly the trance worm had a baby. Aww.
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Michael thinks back to Voq… yeah, she married the right alien.
More to come
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The fifth and final season of Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+ in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria. Discovery premiered on April 4 on Paramount+ in Canada and was broadcast on Bell Media’s CTV Sci-Fi Channel in Canada.
